This is my new moon spread for Effy Wild’s Moonshine course. I originally created something similar in Procreate (see second photo), and now that I’m feeling more confident in my abilities thanks to my daily face practice, I decided to see if I could recreate it in my art journal. I’m really happy with the results. I used QOR and Daniel Smith watercolors along with acrylic paint.
For my Day 31 face practice and my Moonshine Full Moon art journal spread, I used a mix of watercolor and acrylic. I realized that I need to focus on profiles moving forward as even this small face took me way too long to create.
Below is my new moon spread for Effy Wild’s Moonshine 2019 course. I had a vision of a goddess pregnant with the earth, infusing it with magick. I’m not sure if I exactly captured that here, but I definitely tried my best.
For this spread, I used Daniel Smith watercolors, tombow dual-brush markers, Faber-Castell PITT artist pens, and white and gold acrylic and gel pens. The willow leaves were inspired by Effy Wild’s full moon lesson, and I used a crystal sticker from Sarah Trumpp.
I’ve been participating in Effy Wild’s Moonshine course since January. I love how it’s helped me become more aware of the moon’s cycles. I’ve noticed that since I’ve created a ritual around creating at new moon and full moon each month, I receive visions tied to them each month. When a vision comes to me, which usually happens a few days before new moon and full moon, I try to get down a rough sketch, and then I just let my mind work for the next few days on how to translate what I’ve been shown onto paper.
Below is my full pink moon art journal spread. It is a bit different than the vision I received. In the vision, I saw a woman curled up inside the center of a fully-bloomed rose which was encased in a full pink moon. For this spread, I covered the page with gesso. Once dried, I sprayed it with water and added several different colors of Brusho crystals. I then created a moon mask with cardstock and painted the remainder of the page with black and payne’s gray acrylic paint. I sprayed gold and white acrylic ink on the background once it was dry. I then applied a stencil from Sarah Trumpp with gold acrylic paint to add texture to the moon. Adding the curled form in the center was difficult. I ran into a lot of issues with pens that would not write on the surface, and so it took several tries to get her to a place I was okay with. I traced her image onto the moon using carbon paper, then tried to outline her with white which didn’t work out very well. So, I painted the image with black acrylic, and then tried once again to outline her with white. It still didn’t work out. I took a baby wipe and wiped most of what I had done away, and then added the same stencil image with gold acrylic as I had added to the moon. That left her looking a bit snakish. So, I took a gold gel pen, outlined her, and then started to outline some of the markings from the stencil, and that created an image that I was really happy with. Since this moon was a full pink, willow moon, I added willow leaves with a stabilo-all white pencil, so they would be less prominent than if I had used a gel pen. Overall, I really love how this spread turned out.
It has been a while since I’ve posted, but it’s because I have been really busy writing and revising. Yay! I had initially created this site to chronicle my journey into visual art hoping it would eventually bring me back to my first love: creative writing. I am happy to report that spending eight months focusing on visual art led me right back to the novel I had been dreaming of writing since 2011.
In October of last year, an artist I follow mentioned a live FB event with author coach Sage Adderley-Knox. While sitting in my car waiting for my son to get out of school, I watched Sage discuss her six-week program for writing a first draft. I decided to take the leap, and I’m so glad I did. For the first two weeks of the program, I was still completely blocked and just could not write. Then during one of our live meetups on FB, she said, “You are not writing this book for other people, you are writing this book for yourself. You must write something you are proud of. You cannot do that if you are writing for someone else.” Something about that clicked for me. I had been trying to figure out how to write the novel based on what I thought other people might want to read with a thousand different opinions screaming in my head. When I started to focus on the story I wanted to tell and how I wanted to tell it, the novel just poured out of me and onto the page. Six weeks later, on December 24, 2018, I had completed an 88,825 word first draft. I decided to continue working with Sage one-one-one, and I am nearly finished with the first revision of the novel I had dreamed of writing for seven years! And…I finally came up with a title that I love! What a miracle!
So, what else have I been up to? I’ve been making lots of art, too. I’ve been participating in Effy Wild‘s amazing art classes. In addition, I’ve been using an incredibly healing technique in my art journal called Cosmic Smash Booking created by Catt Z, and have been learning so much about some very freeing abstract painting techniques from Ady Almanza’s Abstract Dreams course. If you head over to my Instagram page, you can see more photos of what I’ve been creating over the past four months.
I am learning that I cannot just write or just make visual art. If I try to do too much of one without the other, I get really cranky. So, I am working on finding a balance between writing and making art. I hope that you will stay with me for the next part of my journey as I chronicle the art-making and novel-revising, and figure out what is next for me on this wild and wacky adventure.